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Book Review

*Published in Volume 117, Issue 5 <http://content.jci.org/117/5>*
/J. Clin. Invest./ *117*(5): 1117-1117 (2007). doi:10.1172/JCI32009.
Copyright © 2007, The American Society for Clinical Investigation
  


The strangest song: One father’s quest to help his daughter find her voice

by Sforza Teri, Lenhoff Howard, Lenhoff Sylvia. Prometheus Books. Amherst,
New York, USA. 2006. $24.00. ISBN: 978-1-59102-478-1 (hardcover).



Review by Christopher L. Karp

Division of Molecular Immunology, Cincinnati Children’s Hospital
Research Foundation, and University of Cincinnati College of Medicine,
Cincinnati, Ohio, USA.E-mail: chris.karp@chmcc.org





The high degree of interindividual variability in musical abilities and proclivities is not well understood. Indeed, the genetic, environmental, developmental, and neurocognitive substrates of musicality (itself a concept difficult to define operationally) remain quite obscure. That said, such differences are easily appreciated, in both senses of the word. On the other hand, the often obvious differences in cognitive abilities associated with neurodevelopmental disorders frequently have pernicious consequences for affected individuals and their families. In /The strangest song: one father’s quest to help his daughter find her voice, Teri Sforza tells a story that melds different worlds of individual experience and social response — that of an extraordinarily musically talented, intellectually impaired woman with Williams syndrome (WS).

WS, a multisystem disorder occurring in about 1 in 7,500 live births, arises from hemizygous deletion of a 1.55-Mb region containing some 28 genes at chromosome 7q11.23. Physical manifestations include dysmorphic (“elfin”) facial features, supravalvular aortic stenosis and other connective tissue abnormalities, and growth retardation. Characteristic personality traits include hypersociability and heightened empathy (generally described as “delightful”), along with nonsocial anxieties. Developmental delay and cognitive impairment are the norm, with low IQ scores and severe deficits in spatial and arithmetic cognition and in conceptual reasoning. However, WS appears to be associated with relative preservation of abilities in language, face processing, sociability, and music.

This mix of cognitive abilities and disabilities has proven irresistible as a human model for examining the links among genes, neurodevelopment, cognition, and behavior. Defining the genetic substrates of WS-associated neurodevelopmental abnormalities has not been easy, in part because of the stereotypical nature of the responsible deletion. Study of atypical deletions as well as mouse models has, however, implicated several genes in various aspects of the neurocognitive and craniofacial phenotype, including /GTF2IRD1/ (a /TFII-I/ transcription factor), /CYLN2/ (cytoplasmic linker protein 2),/ LIMK1 /(LIM kinase 1), and /FZD9 /(frizzled 9). The fragmented nature of the WS cognitive phenotype — in particular, the lack of apparent difficulties with language despite evident severe impairment in other cognitive domains — has also provided considerable experimental grist for the mill of neuropsychological theory.

But WS is something experienced by individuals and those who care for and about them. To echo neurologist Oliver Sacks, WS is a “what” that happens to a “who.” And whatever the genetic substrates, the social environment is critical to how WS and other developmental disorders are experienced. These points are illuminated in a compelling way in /The strangest song/, an account of Gloria Lenhoff and her parents, written by Sforza with Gloria’s parents. Born before the syndrome was first described, Gloria had what was, in retrospect, a typically difficult childhood for someone with WS. Her likely future was one defined in large part by limitation of possibility and hope. However, Gloria’s parents’ recognition of, and delight in, her musical affinity and gifts, along with their single-minded pursuit of ways to develop and provide performing outlets for her musical talents, has led to what clearly seems to be a remarkably fulfilling life. Despite her varied intellectual limitations, Gloria turned into an accomplished lyric soprano (and accordionist) with a vast repertoire of songs in a profusion of languages who has enriched a broad public and herself with her gifts.

Of note, Gloria’s father’s activism was itself instrumental in spurring recognition and study of the WS musical phenotype.  Compared with normal individuals, those with WS tend to exhibit more engagement with music — more emotion while listening to music, more time spent on musical activities, and onset of interest in music at a younger age. They also have a greater incidence of auditory anomalies, including hyperacusis, odynacusis, phonophobia, and auditory fascinations. Using functional MRI imaging, Levitin et al. have described possible neural correlates of this unusual auditory and musical sensitivity. Of course, as in the population at large, the actual musical abilities of individuals with WS (like their other cognitive abilities) vary widely. However, music appears to provide a uniquely important avenue for cognitive development and emotional fulfillment for many people with WS. The ongoing struggle by Gloria’s father and others to provide opportunities for such development and fulfillment drives much of the narrative of this book.

Sforza, neither professional scientist nor professional musician, has written an entertaining book for a general audience. Those looking for a state-of-the-art review of the science of WS will not find it here. Indeed, scientists will wince at the casual misinformation (e.g., Watson and Crick did not /discover/ DNA). Similarly, musicians will stumble over occasional lapses in tone. But these are minor quibbles. Sforza beautifully limns the key role played by the social environment in the individual experience of genetic developmental disability, careful attention to which has the potential for helping people transcend biological and social categories in their own unique ways.

 

Webmaster's Note: Viewers of this web page are probably familiar of the activism of Howard Lenhoff on behalf of the music abilities of people with Williams syndrome, activism which had a major effect on the starting of the WS Music Camp at Belvoir Terrace, and in the establishment of the Berkshire Hills Music Academy. These are described by author Teri Sforza in the book The Strangest Song.  You also might want to learn where Dr. Lenhoff's activism started. That story has recently been published in the book described in the following review.

                                                          Gary Rubin, Webmaster

 

Book Review

BLACK JEWS, JEWS AND OTHER HEROES

By Howard M. Lenhoff

Gefen Publishing House, Jerusalem, New York

 

Review By: CHRIS LEPPEK

            It has been more than a decade since the American Association for Ethiopian Jews did something virtually unheard of in the annals of organized American Jewry – it disbanded itself, declaring its primary goal successfully reached.

            Today, the whole struggle to save Ethiopian Jewry from the civil war that was racking its homeland tends to be remembered in the warm and comfortable glow of satisfied hindsight. And understandably so -- it was a titanic achievement, a proud milestone in the history of Israel and, even more so, American Jewry. The dramatic sagas with Biblical names -- Operations Moses, Solomon and Elijah – were iconic victories of perseverance over apathy, human rights over oppression, tolerance over racism.

            All undeniably true, but the amber glow of memory also allows us to forget just how difficult and controversial those battles really were. Thankfully, for the sake of historical honesty, the tumultuous dimensions of the story are provided by Howard M. Lenhoff, one of three people to serve as president of the AAEJ during its brief but busy existence. The years of Lenhoff’s tenure, 1978-82, were among the most eventful in the two-decades-plus effort to bring tens of thousands of Ethiopian Jews to Israel.

            The most obvious drama of the Ethiopian exodus was the complex process of physically getting the Jews out of Ethiopia as a fierce civil war raged around them. Indeed, the largely covert and tautly suspenseful Operation Solomon, in which some 14,000 Ethiopian Jews were rescued via airlift in one day, rivals any chapter in Israeli history for sheer human drama.

            But Lenhoff’s book also pays considerable attention to the abundant drama and trouble that bubbled beneath that photogenic surface. First was the debate whether Ethiopian Jews were Jews at all, and thus whether they were entitled to Israeli citizenship under the Law of Return.

            That was followed by an even more intense debate over the best way to get them to Israel, an argument that largely mirrored that surrounding another, and somewhat contemporaneous, immigration issue – that of Soviet Jewry. Should the task be undertaken with the resources and methods of the Jewish establishment, i.e., the federation and UJA system, or through the efforts of grassroots activist groups which sprung up at the periphery, and largely independent, of that establishment?

            The AAEJ, like the Union of Councils for Soviet Jewry, was firmly of the peripheral grassroots persuasion, and it waged a persistent, difficult and often discouraging battle of strategy and control over the complicated emigration process. That it ultimately won that battle and found vindication in the humanitarian results is largely taken for granted today, but this takes nothing away from the inherent interest of the story that the author tells.

            Characteristically, Lenhoff – who recently completed another compelling book, one about his daughter’s struggle with a genetic disorder – writes this story clearly, fairly and with passion. Although written from an openly partisan perspective, Lenhoff’s account provides a compelling history of a fascinating and important chapter in modern Jewish history.

            Importantly, however, Lenhoff is also wise enough to realize that the story of Ethiopian Jewry is not strictly historical; that it remains a current, dynamic and, to a large degree, still troubling phenomenon. Black Jews, Jews, and Other Heroes doesn’t shy away from discussing the daunting set of problems Ethiopian immigrants still face in being fully absorbed into Israeli society.

            After explaining why the AAEJ self-dissolved in 1993, Lenhoff concludes his preface on this ironic note: “Did we quit too soon?”

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Last modified: April 15, 2007