With a song in
her heart
By John Wilkens
STAFF WRITER - San Diego Union Tribune
June 24, 1999
Chances are you have never heard of Gloria Lenhoff, but in her world
she is a superstar.

Her world is Williams syndrome, a rare place where people are born
with sad disabilities and astonishing gifts, a peaks-and-valleys
existence that fascinates scientists for what it says about the
human brain and the human spirit.
Gloria Lenhoff's disability is mental. She has an IQ of 65. At age
44, she can't add 5 and 6, can't make change from a dollar, can't
judge distances well enough to safely cross the street by herself.
She can't read a note of music, either, but music is her gift. She
has perfect pitch, a soaring soprano voice and a computerlike memory
that enables her to sing 2,000 songs in 25 languages.
Lenhoff will be in El
Cajon Sunday, 6-27 performing at a benefit for St. Madeleine
Sophie's Center, a nonprofit organization that nurtures the gifts of
other disabled adults.
She is scheduled to appear with a 65-piece orchestra, singing arias
from "La Bohème" and "Don Giovanni" and a tune from "Carousel";
those who have heard her say there may be tears in the audience by
the time she is through.
"Most people expect a
novelty act, something cute," said her father, Howard Lenhoff. "She
is quite a bit more than that."
Enough "more than that" to be featured on television and in
award-winning documentaries. She has performed with nationally known
opera stars and been on the faculty at music symposiums.
Mandy Patinkin, the Tony-winning singer and actor, heard her and
said this: "Just listen to her sing, and the very nature of
intelligence is brought into question."
Shortly after their daughter was born, Howard and Sylvia Lenhoff
knew that something was wrong. It would be years before they
realized that something was wonderfully right, too.
Gloria didn't walk when she should have. She didn't talk on time,
either. The doctors diagnosed her as mentally retarded. The schools
put her in special education classes.
When she was 12, her
parents gave her a small accordion. She had always loved music,
loved singing, and the Lenhoffs thought that she might enjoy the
accordion, too.
She did. There was something instinctive about the way she fingered
the buttons and keyboard.
Her parents tried to get her lessons, but most of the instructors
wanted her to read music. The Lenhoffs found a teacher who was more
flexible. She had taught prison inmates how to sing. She took on
Gloria.
The girl's bat mitzvah, a Jewish coming-of-age ceremony, was a
turning point. She stunned people by singing flawless Hebrew from
the Song of Songs, the Lenhoffs said. She played the "Anniversary
Waltz" on the accordion.
The family was living
in Florida then. They moved to Israel for a year, and then to
Irvine, where Howard Lenhoff, a biologist, took a job at the
University of California campus. At every step, the parents tried to
nurture their daughter's passion for music. They hired Irvine
students as instructors for voice and accordion. Her skills grew.
As with all parents of disabled children, what the Lenhoffs wanted
most for Gloria was something approaching normalcy. They enrolled
her in classes on self-reliance. She learned how to ride the bus on
her own and worked as a teacher's aide at a preschool.
All this time, the family did not know the exact nature of Gloria's
disability. Williams syndrome wasn't identified until 1961, six
years after she was born, when a New Zealand pediatric cardiologist,
J.C.P. Williams, recognized specific similarities in a handful of
his patients.
Those similarities include heart defects, outgoing personalities and
elfin facial features: small, upturned noses, puffy eyes, large ears
and broad mouths with full lips.
It wasn't until 1988 that the Lenhoffs heard the words "Williams
syndrome." That was the year Gloria and her music were featured in a
PBS documentary, "Bravo Gloria," made by Arlene Alda.
The program aired nationwide, and the Lenhoffs began receiving letters and calls. "Your daughter has Williams syndrome," all the correspondence said.
Howard and Gloria went
to a picnic of Williams families. There were children of all ages,
children representing the various stages Gloria had passed through
already.
Howard heard other parents talking about slow growth, sleepless
nights, the fascination with spinning objects, the fused bones in
the forearms -- all characteristics the Lenhoffs thought were
peculiar to their daughter.
"It was like 'This Is Your Life,' " Howard told his wife when he
came home from the picnic.
Williams syndrome is estimated to occur in 1 out of 20,000 people.
In the United States and the United Kingdom, two countries with
active support organizations, about 5,300 people have been
identified with the condition.
Scientists believe that those with the syndrome are missing 15 or
more genes from one of their chromosomes -- genes that control
various physical, behavioral and cognitive abilities. The cause of
this defect is not known, nor can it be prevented. It is, according
to the specialists, a genetic accident.
Researchers who study Williams -- Ursula Bellugi at the Salk
Institute in La Jolla is among the leaders -- hope to open windows
on how the brain develops and functions.
If they can identify the missing genes, and how those genes affect
physical and behavioral features, their work might have broader
implications for a host of other disabilities and talents.
They want to know, for example, why so many [people with Williams Syndrome] (a term
they use themselves) have strong verbal skills, including a talent
for storytelling, despite their moderate IQs.
They also are intrigued by those, like Lenhoff, with seemingly
innate musical talent. Some have uncanny rhythm, learning complex
drum beats quickly. Others write their own songs, or have a special
feel for harmony.
Every summer, a music
camp in Lenox, Mass., opens its doors for a week to the Williams
community. They sing and dance and put on talent shows. For some, it
is the first time in their lives they see people just like them.
Howard and Sylvia Lenhoff are among those trying to raise money to
expand the camp and establish year-round musical academies for
[people with Williams Syndrome]. They would be places to learn about music and the
arts, as well as life skills enabling them to be more independent,
Howard Lenhoff said.
In the meantime, Gloria Lenhoff tours regularly. In addition to
events at music halls and opera houses, she sings at churches,
schools, senior centers and nursing homes.
She lives with her parents in Costa Mesa, and they accompany her
wherever she goes. Howard Lenhoff is her "roadie," lugging her
accordion and other musical equipment. He has business cards that
identify him as "Gloria's Dad."
They were in San Diego recently to rehearse for Sunday's
fund-raiser. (It will benefit St. Madeleine's effort to open a
"Sophie's Gallery" for developmentally disabled artists in downtown
El Cajon.)
Gloria also went to the Tifereth Israel Synagogue in San Carlos,
where she will perform on July 25. There, she sang some opera. She
sang some Otis Redding. She sang some Patsy Cline.
"I like performing," she said. "I like showing other people what I
can do. Just spreading the word."
When she had finished singing, a custodian at the back of the
synagogue's social hall applauded. He got to talking with the
Lenhoffs, and told them he was originally from the Philippines.
Something registered with Gloria. She knows about 2,000 songs by
heart, and the national anthem of the Philippines is one of them.
She started singing it.
The custodian put his hand over his heart and sang with her.
Copyright 1999 Union-Tribune Publishing Co.
